Chancellor's Art Gallery

Serenity Soul is a harmonious fusion of charcoal and blue pastel blended tones. The aim was to invite viewers into a world of peaceful beauty. The piece encapsulates the serenity of the human spirit, with its gentle transitions and fluid lines evoking a sense of inner calm and introspection.

I asked about her wishes, she said about her regrets. The regret of not living. The regret of living with a man who could not have children and no one should know the secret of that man.

I asked about her wishes, she said about her regrets. The regret of not living. The regret of living with a man who had other women.

I asked about her wishes, she said about her regrets. The regret of not living. The regret of not getting married and not even seeing anywhere further than the alleys around her house, because her father had bequeathed her to take care of this house until the day she is gone and not to leave this house.

I asked about her wishes, she said about her regrets. The regret of not living. The regret of being forced to cut ties with her mother to be with her husband and never see her mother again.

I asked about her wishes, she said about her regrets. The regret of not living. The regret of not having the right to marry. Who was forced to marry a disabled old man due to her family's lack of money.

This digital photograph was taken in front of a pizza restaurant in Hornell, New York.

This photograph was taken using a film view camera set up at the skatepark in Rochester NY. This candid photo shows moments of different skateboarders’ life while at the park.

“Marsh Scarf” is a symmetrical piece that focuses on the life and energy that exists in the deep murky waters of marshlands. This piece is inspired both by textile design and early comic books, utilizing half tones to submerge various elements of the design.

This was a response to feeling very out of place within my family growing up, sort of like the black sheep. I've always been deemed shy and never really had a voice to express myself.

This work depicts my lover, bathed in the warm morning sunlight as he sleeps peacefully, unaware of the simple beauty that surrounds him. This scene is tender, warm, and dreamlike, seen by the viewer through the lens of love and adoration.

I want people to feel a sort of loss and confusion when looking at this painting, like they are longing for something and don’t know what. What influenced me was the short story “The Little Green Monster” and the heartbreak after it.

I felt utterly connected with my partner and wished to capture what I was seeing during this blissful experience of emotion. It is also an experimental play with abstract form and vivid, complimentary color.

This print is a part of a larger series surrounding my home town, Oyster Bay, or more specifically the Oyster Bay Hamlet on Long Island. My project sought to show the rich history and beauty the little Hamlet has to offer.

The very traditional, accepted aquatint process is used to create an uncomfortably unacceptable image in American culture that explores an abiding societal taboo--love and affection between two men. In "Love You Have For Me", the viewer is challenged to judge whether or not what they see is passion or pornography.

"City of Diverse Contrasts" reveals the disparity between Iran's portrayed utopia and its true struggles. Beneath the facade of contentment lies a community confronting daily separations and clinging to fading hopes for a brighter future.

I believe that this portrait of my grandfather radiates the result of a bond built on trust and love when looking into a loved one's eyes.

'Still Life and Death' is an exploration of a more modern still life that plays on the idea of juxtaposing both life and death.

This piece is about how hair is part of your identity and how easily a person can impulsively change it.

In this piece, I hope to communicate a snapshot of a moment in time. The person depicted is outside, laying on a blanket with their eyes closed, pondering in thought while their hand rests on a mirror ball.

This is my guinea pig and frequent collaborator, Jem, as seen through a drinking glass. On the outside is the life cycle of a dandelion, one of his favorite foods.

This painting was based on multiple studies done on the campus of Purchase College.

This was during summer break of our senior year. The photo was taken in an ice cream parlor in the city. We decided to stop by and treat ourselves with dessert after the long day we had exploring K-Town. I was the only one there that was lactose intolerant.

"What Did the Deep Sea Say" explores the role of photographs in crafting family mythologies and personal histories. After discovering photographs from a forgotten chapter of my grandmother's life, I retraced her steps in Hollywood, Florida and uncovered family secrets that spanned three generations of women in my family.

"What Did the Deep Sea Say" explores the role of photographs in crafting family mythologies and personal histories. After discovering photographs from a forgotten chapter of my grandmother's life, I retraced her steps in Hollywood, Florida and uncovered family secrets that spanned three generations of women in my family.

"What Did the Deep Sea Say" explores the role of photographs in crafting family mythologies and personal histories. After discovering photographs from a forgotten chapter of my grandmother's life, I retraced her steps in Hollywood, Florida and uncovered family secrets that spanned three generations of women in my family.

"What Did the Deep Sea Say" explores the role of photographs in crafting family mythologies and personal histories. After discovering photographs from a forgotten chapter of my grandmother's life, I retraced her steps in Hollywood, Florida and uncovered family secrets that spanned three generations of women in my family.

This is a photograph taken in Long Island City early in the morning. This image captures layers of new and old architectural spaces, something that is found throughout the five boroughs of New York City.